What is the stage? Its a place baby where people play at being serious, a place where they act comedies. We've got to act a comedy now, dead serious.
The Step-Daughter, Six Characters in Search of an Author, Luigi Pirandello
The Roots of the Shattering (origin story of Bob) are in Din (Gevurah) - the unparalleled forces of destruction in the nuclear blast. In Shattering the Vessels only the Supernal Triad survive, Malkuth (The Fallen Daughter/Laura Palmer) landing on top of the Klippot (Shells/Husks - the broadcasting skullcrushing Woodsmen), the rest of the Sefiroth 'scattered to the four winds'' (''Lost'' in the (Lesser) Time and Space of Zeir Anpin, the central six Sefirot, the small countenance/the mushroom cloud). The Fallen Daughter is the Shekinah/Sofia the ''feminine'' presence of God on Earth and restoring her (to Binah) is the means to repair the universe, reconnect to the unshattered source of consciousness. The Vessels are repaired through the use of Partzufim, personifications (the characters of the Show) which allow the Vessels to communicate/interrelate - share the light and not shatter. In order to achieve this each broken Sefirah is given form and voice - becoming characters which ''talk'' and which have ''secrets''. The Abyss is said to be the ''dividing line'' between dichotomy, Above the Abyss, in the Unshattered Trinity, opposites merge (something, something else and their context are as one), below the Abyss the world is separated/shattered into dualities - up, down, male, female, front, back, east, west, etc and perhaps most importantly for Lynch Good and Evil, represented in the WMT by the Black/White Brotherhoods or the Sitra Achra/Tov and in Agent Cooper(s) - this duality will ''merge'' above the Abyss, in the same way the White Lodge becomes/is the Black Lodge.
As I understand it a shattered individual exists as a delusional 3d entity in a world they take to observe directly, the repaired individual exists within a cell of consciousness and knows that all the phenomena they are surrounded by are in fact composed of mental light. Restoring the consciousness involves separating out the archetypes/personifications from the rubble of the creative/destructive process, and understanding that since the people around us exist in our consciousnesses and are composed of pure thought that we are always in a dialogue with our own soul. Seeing people this way allows us to access the secrets of their dialogues and understand that they represent the shattered Sefirot for us, as much as we do for them. Although all individuals must repair all Sefirot, your role in the world of the other is very rarely one of them (a pure type) but more commonly a blend of two (a spectrum or path). From the fallen state of Malkuth, i.e. seeing ourselves as separate objects in a physical world, the Fallen Daughter of our consciousness is restored to Daath i.e. the experience of the moment becomes one of a direct observation of the shadows on the wall and the realisation that the people around you are characterizing different aspects of your mind and the larger mind in general and are composed of light as opposed to thinking that you experience physical reality directly.
Recognizing that one has been sitting in that chair in the Black Lodge their whole life is the first step and most terrifying realization and one that has been traditionally seen as Saturnian (death of 3d self), but seen from after the fact it looks Lunar (birth of 5d self). From the perspective of the mental bubble of representations based (we assume) on signals from physical objects in a physical world, the laws of reality are in fact the reverse of what they appear. I have never moved, although everything seems to be moving all the time, in fact the world moves through me. Everything is composed of mental light/thought, and there is no depth. I have never moved my head, I am chained down to face one way all the time (looking at the screen/''astrally'' tesselated floor of the lodge) - the desire to turn my neck although feeling like my neck has turned has actually swung the world around me. Realising this is different from knowing it which is different still from contemplating and understanding it. Only through praxis can we aquire knowledge therefore we run and return reflect on the absolute stillness of our own mind and that we are mired in illusion, an incredibly disorienting experience, we practice accepting that we are in the Black Lodge and always have been - we search for a light. One of the keys is that we have never experienced the present, only the past because the future already exists.
This world is populated by projections of our own inner self which appear to be in a network of malfunctioning circuits - paranoia, megalomania, delusions of grandeur, anxiety, depression, anger, jealousy, hatred. Through ''spiritual'' ''logotherapy'' we can question in ourselves/other people the nature of the source of meaning that feeds these malfunctions - by communicating with them on a secret level you can build the connections and circuits that are necessary to make the electricity flow again. Genuine repair is an experience of miracles of healing. Only by confronting the ego in ourselves (I don't need, I want), our doppleganger, which is the desire to keep things separate (and therefore acquirable) can we have (mentally) objective transactions with others and seek this miracle - the miracle which emerges from the Unification of the Sefirot. However, from ''Above the Abyss'' these dysfunctions appear like functions - the paranoia, the desire for revenge, for power, whatever, anxiety, worry, love, etc fuels/feeds the story below the Abyss i.e. people hang on to their suffering because it defines them and gives them character - the Greater Axis of Time from Luna to Saturn is ultimately sustained by the darkness. The Black Lodge is the White Lodge. You are the woodsmen. And I wouldn't be surprised if the daughter with the roachfrog is the mother of Dale Cooper.
Do you want to be healed?
Nowhere! It is merely to show you that one is born to life in many forms, in many shapes, as tree, or as stone, as butterfly or as woman . So one may also be born a character in a play.
The Father, Six Characters in Search of an Author, Luigi Pirandello